documentary
Donald Trump recently oversaw a coup in Venezuela, kidnapping President Nicolás Maduro and his wife…
Cover-Up is about much more than just one man’s lifelong search for the truth; it’s a film about the importance of constantly interrogating those in power.
Stir the porridge clockwise, or else you’ll let the devil in. At least, that’s what…
Peaches Goes Bananas follows a single tour and draws out the artist’s wide range of influences.
In Kelly Lipscomb’s newest documentary Bite to Bite, we follow two fishermen as they take a bluefin tuna, quite literally, from hook to plate.
Producer Andrew Davies Gans has released his directorial debut chronicling the life and sudden death of his father, a Las Vegas legend.
This quietly existential ambivalence on the nature of love, balanced with a deep empathy for each character makes Mistress Dispeller compulsively watchable.
Packed with touching, heavy moments, it’s also peppered with the kind of dark and cynical humor you’d expect from its subject, Marc Maron.
In this report from NYFF, we take a look at Dry Leaf, Back Home + Ecce Mole, and Put Your Soul on Your Hand and Walk.
Strange Journey wears its heart on its sleeve as it relates earnest messages of love and acceptance, community and found family.
Scrappy and befuddled though Megadoc may be, Figgis has captured something inexplicable, compelling, and beautiful seemingly despite himself.
Riefenstahl should be the last word on its subject—not just because it is the definitive one, but also because it is the last one we need.
River of Grass works as both a documentary and personal essay film, giving the movie a fresh experimental angle that allows it to reach beyond.
Videohaven is equally cogent and compelling, evoking the kind of deep, amiable cinephilia that video store nostalgia is fueled by in the first place.
Hung Up on a Dream is one of the better musical biographies I’ve seen in some time, and it’s because the story at its core is burgeoning with creative vibrancy, fraternity, and a joyous love of music.