drama
The second season of GLOW is equal in emotional intensity to the first – reuniting its original cast and introducing some new members.
Ideal Home is a heartwarming ode to acceptance and finding family in the most unlikely places.
In many ways, Hooked is a crucial film that sheds light on a pervasive issue. Still, though, it seems as though there was more lurking beneath the film’s surface.
Who’s Watching Oliver rises above those that have come before and is poised to become a cult classic for lovers throughout the genre.
Best F(r)iends: Volume One’s dramatic ambitions are a step in the right direction for the legendary pair, but its low-budget nature severely limits its potential, especially when it comes to its technical credits.
Aside from an occasional spark from Travolta, Gotti is a wholly derivative affair, and under Connolly’s guiding hand, a crudely executed and completely incoherent one at that.
While Emperor of the North (1973) accurately portrays the unique subculture of the hobo in many ways, it also does itself a disservice by removing friendship between hobos, a central aspect of hobohemia.
We spoke with Andrew Fleming, writer/director of IDEAL HOME, about reuniting with Coogan, the current state of the film and TV industries, and more!
Kristy Strouse shares her interview with director Debra Granik, discussing survivalist training, PTSD and her new film Leave No Trace.
Despite promise and an interesting concept, Zen Dog in anything but unique disintegrating into a series of indie tropes.
Hearts Beat Loud rings emotionally true, and is heartwarming in its portrayal of youth, old age and perfect pop music.
The Color of Pomegranates offers an experience of careful, questioning celebration that combines appreciation of artistic beauty with cognizance of worldly suffering.
Much like a drive along Australia’s expansive coastal roads, Just Between Us is a breezy, casual ride that doubles as a nice nature documentary on the sunny side of Australia.
Stephanie Archer reviews Post No Bills, an animated short about taking risks, and spoke with with director Robin Hays.
2013 coming of age comedy drama The Way Way Back is made for summer. It’s light, funny and full of life, while still managing to be poignant.