drama
While episode 2 of AHS 1984 provided new insights, more than enough questions arose as murder, secrets and terror lurked in the shadows.
Stephanie Archer reports from New York Film Festival with reviews of French films Zombi Child and Oh Mercy!
If you are looking for a new series to binge over and over again, John Green’s Looking for Alaska TV series might be for you!
Gwen is an effective and daunting horror that engulfs its audience with perfect production design and cinematography that throw you into the eerie and frightening Welsh highlands.
Ad Astra is not without its flaws, but Gray’s science-fiction endeavor is ultimately one of the best films of the year.
With Renée Zellweger giving a career best performance, Judy is a simple but moving film, celebrating an icon.
With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
Prolific British writer-director William Nicholson’s Hope Gap is a charming, yet altogether bleak portrayal of a…
Overall, Downton Abbey’s worth as a film depends on your feelings towards the original show.
Ága shows how native practices of conservation, sustainable living, and a deep and respectful connection to the land is all but withering away in the face of our technological acceleration.
Groupers isn’t perfect, and it certainly isn’t a mainstream product for the masses, but it has its merits.
The Last Tree isn’t perfect, but it’s an honest and insightful coming of age story that deserves to find an audience.
Potrait of a Lady on Fire builds to an awe-inspiring, pulsating crescendo that leaves the audience’s collective heart thudding.
In a lover letter to the horror genre, AHS 1984 packed a nostalgic punch – leaving the door wide open for more homage to come.
Eddie Murphy is at his absolute best in Dolemite Is My Name. The humor and chops for drama that he brings to the role are a perfect c*cktail that you just can’t help but drink up.