drama
A beautifully orchestrated collaboration of horror films, AHS 1984 is gruesome, graphic and for those who love gore, oh so satisfying.
While Season 3 of 13 Reasons Why is not as strong as its previous seasons, that does not make it any less relevant.
Sounds and vibrations undoubtedly shape the world as we know it, in turn capable of…
With a talented and diverse cast, chills coming from the darkest corners of television and unending potential, Evil is definitely the one to watch.
Pablo Larraín’s Ema is certainly the most unpredictable, wild, and unconventional study of a frayed woman at this year’s TIFF.
Much like that of a promising get away, The I-Land is stunning on the outside with far less to offer on the in.
The disappointment when Cargo turns out to regurgitate the messages of a Hollywood production despite the unique style can’t be understated.
Brilliantly utlizing animation and storytelling, Undone is unquestionably one of the best TV series of 2019.
Coda and Low are two short films that indicate why the rise of short films on streaming platforms is fortuitous. They deserve to be seen.
Marriage Story is amongst Noah Baumbach’s finest works; it is sympathetic and charming, while containing some career-best performances by Scarlett Johansson and Adam Driver.
With the personal and professional lives of FBI agents Holden Ford (Jonathan Groff) and Bill…
Simple Women makes for an interesting examination of false effigies and washed-up idols and one thing’s for sure, the two women in focus are most certainly anything but simple.
With standout and nuanced performances, Villains is one of the funniest horror films you will see in quite some time.
Carnival Row starts off slow and is hard to get invested to, but eventually pays off in some respects.