female director
Welcome to A Century in Cinema, the monthly column where I’ll be discussing films from…
Headlined by incredible female filmmakers to watch, the 2021 Coven Film Festival was not one to be forgotten.
Ena Sendijarević’s Take Me Somewhere Nice is a movie most cinema-goers have probably seen before, at least in pieces.
Bizzarre and eccentric, Kajillionaire is a tender and moving story about love and our needs for connection.
While beautiful to look at, The Undoing struggles to say something compelling as it’s more interested in amplifying the melodrama.
A perfectly timed film that corresponds intimately to the social issues we are living through, One Night In Miami is one to watch.
For TIFF 2020, Stephanie Archer had the opportunity to interview director Nicole Riegel & actress Jessica Barden about their new film, Holler.
Brutal in its subtlety, Língua Franca is a harrowing portrait of not only Trump’s America but also Duterte’s Philippines.
There is a rare nature and rough surface to Holler that will resonate with audiences through the need for survival, perseverance and opportunity.
Jawline is an honest and nuanced look at social media stardom and what it’s doing for young millennials and Generation Z.
A spiritual forerunner to modern coming-of-age films like Eighth Grade and Lady Bird, Peppermint Soda is a charming glimpse at two teenage girls growing up.
From slapstick comedy shorts to action serials, Pioneers: First Women Filmmakers includes a wide range of films made by women that should keep any fan of cinema history occupied and enraptured for hours.
Rainy Kerwin’s debut film The Wedding Invitation is a well done romantic comedy with a strong story executed by a strong female cast.
