female protagonist
Diane Kruger carries In the Fade on her leather-clad shoulders and ensures that you’ll walk away from the film feeling absolutely rattled.
The Breadwinner’s captivating aesthetic, heroic protagonist, moments of levity and weighty themes aid in drawing in youngsters and teaching them about the hardships faced by their peers on the other side of the world.
A Bad Moms Christmas is mediocre after the original film, with stale jokes that lift the film away from reality and biting satire.
It Happened in L.A. is a refreshingly realistic portrayal of relationships, showing how we chase ideals that are often impossible to fulfill.
Feeling both vitally important and imminently personal, The Light of the Moon is as remarkable as its title is poetic – and twice as powerful.
Suck It Up admirably attempts to tell a story with flawed women at its centre, yet sadly falls back on clichés and stereotypes at every turn.
Whilst it has many problems, Maya Dardel is a prickly, contentious and fascinating film that knows with absolute certainty what it is.
Daphne is a more of a character study than a film whose design cleverly portraying a layered and complex character rarely see on screen.
In Between is a compelling study of Arab women in today’s Tel Aviv that’s delightful and eye-opening in equal measure.
With strong performances and flawless filming, The Villainess briefly losses its identity before concluding with a stunning finish.
It’s abundantly clear that Year By The Sea is composer Alexander Janko’s directorial debut, as its characters are underdeveloped and predictable plot-lines are lost amidst the beautiful scenery of Cape Cod.
Ingrid Goes West is a great commentary on our obsession with social media but while it is a good comedy it fails to be truly remarkable.
The Passion of Augustine offers glimpses into life before womanhood sets in and all the growing pains that come with this journey.
Film Inquiry spoke with Mulan writers Lauren Hynek & Elizabeth Martin about their adaptation, their WGAW committee work & the writer’s life.
Talya Lavie’s Zero Motivation is simultaneously funny, serious, sentimental, sarcastic, slapstick, and totally unique.
