horror
Before I Wake feels like a parody of director Mike Flanagan’s more successful work, prioritising emotional manipulation over story and scares.
James Gunn has made a name for himself for his gloriously offensive yet emotionally poignant films; here is a rundown of his filmography.
With poor direction, effects and performances across the board, The Black Room is unbearably difficult to sit and watch.
In this beginner’s guide, we discuss John Carpenter’s work – spanning the duration of his career in skillfully frightening his audience.
The Bar is a predictable story that constantly betrays its established characters in order to service the cynical narrative.
Two great performances are wasted in Rupture, a mess of a horror movie which sets up mysteries it doesn’t even know how to answer.
In our latest interview, we talk with director Michael McQuown, whose latest work is the anthology horror film The Dark Tapes.
Julia Ducournau’s debut RAW doesn’t deserved to be labelled as “barf bag” cinema, as this is one of the best horror debuts in recent memory.
Indie low-budget vampire horror Night Kaleidoscopee has solid visuals but this is not enough to cover up its paper thin characters and story.
With The Devil’s Candy, provocative Australian director Sean Byrne proves he is one of the best genre filmmakers working today.
The stale found footage genre is revitalised with ambitious anthology film The Dark Tapes, a stunning directorial debut from Michael McQuown.
It’s no fun to criticise an aspiring filmmaker’s low budget passion project- but when the result is as misguided as Quarries, it’s necessary.
Here Alone is a survival story in a zombie apocalypse, but its story struggles to survive against the great zombie films that precede it.
In this beginner’s guide, we discuss David Cronenberg’s work – an influential director who is particularly known for his body horror films.
With the release of the FX series Feud, there’s no better time to revisit Robert Aldrich’s histrionic horror, What Ever Happened To Baby Jane.