horror
The Fall of the House of Usher further solidifies Flanagan’s mastery of his craft and serves as a testament to the talent he surrounds himself with.
A cheesy holiday horror that doesn’t try to be anything more than it knows it is, There’s Something in the Barn is wildly entertaining.
While The Wolf Man may not have stood that test of time, but it is a classic film that would lay the ground work for wolves to come.
Mushrooms is a dark fairy tale, reverberating elements of the Brothers Grimm while grounding its revelations in modern horror.
When Evil Lurks proves itself a visceral horror that will get under your skin.
Eyes Without a Face packs some surprises that hold even in the face of time.
Hell of a Summer is a campy blast of a film, blending the nostalgia of 80s camp slashers with coming-of-age teen comedies.
Stories about college professors are popular at this year’s Toronto International Film Festival, with both Hit Man and Dream Scenario being examples.
A Haunting in Venice is a new direction, going for something more creepily claustrophobic, but doesn’t quite nail the landing.
For this Toronto International Film Festival, Wilson Kwong reviews the Critic and Humanist Vampire Seeking Consenting Suicidal Person.
Korean Cinema’s Golden Decade: The 1960s brings together an eclectic assortment of films covering many genres, directors, and performers.
If you like horror or mystery or just like to be kept guessing, then this is a movie that you’re going to need to see.
While Haunting of the Queen Mary may struggle to find its sea legs, it culminates into an epic voyage of terror and twists.
While thus far, I have delivered my thoughts in the showcases, in my last report, there’s a little bit of everything.