As a work of storytelling, Guadagnino’s reimagining of the canonical giallo is a boring mess with higher thematic aspirations than it’s able to realise.
Though easily levelling with The Wonders in terms of visual quality, the lack of investment leaves Happy as Lazzaro a rather transitory collection of charming anecdotes.
Nico, 1988 from director Susanna Nicchiarelli respectfully marks the 30th anniversary of the late singer’s death while attempting to restore a little of her legacy.
Can we work together to find a solution? It’s a reality that needs further acknowledgement, and It Will Be Chaos does an admirable job of giving us perspective and bare-boned stories of resilience and courage.
Italian-American filmmaker Jonas Carpignano has shown in only his second feature, A Ciambra, to be one of the most empathetic social realist filmmakers working today.
Redoutable is an irreverent take on the biopic that gleefully flips the bird at its subject, and takes delight in making him conform to a conventional narrative of the type he grew to detest leading to some of the finest moments of cringe comedy in recent memory.
The Music Of Silence lacks emotional weight, developed characters, a coherent linear story, and sufficient enough acting to make a passable biopic of a living legend.