Mexico
While Narcos: Mexico is a slightly different beast to its predecessor, it stays close to its roots, providing an incredibly stylish and engaging story with plenty of flair.
Midnight Family reveals the bleak reality of a private ambulance business in Mexico with impressive realism and honesty. Michael Frank reviews.
Despite Our Time’s 3-hour runtime, there isn’t a sequence that doesn’t contribute to a larger understanding of why time is of such essence to each of us.
Carlos Reygadas is a filmmaker who’s art embodies a self-examination of human existence down to the molecule of each celluloid strip.
Dark Suns is utterly vital and haunting, chronicling a staggering history of crime and injustice that needs urgent attention from any higher-up with a conscience.
With her film Tamara and The Ladybug, Lucía Carreras has managed to craft a small scale film with a social awareness and universality reminiscent of The Bicycle Thieves.
Ciro Guerra and Cristina Gallego’s Birds of Passage takes us to the Guajira Peninsula, a…
Female Human Animal is a unique experiment into pushing the boundaries of what is considered to be fact or fiction.
Salt of the Earth espouses the fiercely independent nature of anarchic filmmaking, and remains one of the most important films in American history.
While the pacing, meandering plot, and showy camerawork will prove challenging to some viewers, the rewards of Roma are well worth the effort.
Roma is a film that improves with each passing minute; even though occasionally underwhelming, the longer it lingers in your mind, the more of an impact it will have.
Many of the greatest Mexican films of all time were made during the Golden Age of Mexican Cinema, an era of timeless stars, legendary directors, and critically-acclaimed film classics.
Sicario: Day of the Soldado is an empty shell of a flick, one that tries to emulate the success of the first but lacks all the components that made it so brilliant.
Coco is a refreshingly respectful look at Mexican culture, told from a child’s perspective but in a surprisingly poignant way as well.
In response to Mexico’s sexual conservatism, director Amat Escalante cooked up The Untamed, a film which has to be seen to be believed.
