Penelope Cruz
While Gothika may not have stood the test of time, or have the most plausible horror narrative, it delivers an eerie watch.
When a top-secret weapon falls into mercenary hands, a wild card CIA agent joins forces with three international agents on a lethal mission to retrieve it.
In using the medium of melodrama for Parallel Mothers to convey such a message, Almodóvar has given us one of his best films in years.
This slick spy story has too many tricks up its sleeve, leading more to confusion than thrills.
Wasp Network’s bites off far more than it can chew, there’s no denying this all-star cast makes up for what is lost in plot.
Everybody Knows may be a little overlong, but it’s frequently compelling due to a powerhouse performance by Penélope Cruz.
In Dolor Y Gloria (Pain & Glory), a film director reflects on the choices he’s made in life as past and present come crashing down around him.
In Everybody Knows, a woman returns to her hometown with her two children to attend her sister’s wedding. However, the trip is upset by unexpected events that bring secrets into the open.
In Everybody Knows, a woman returns to her hometown outside Madrid with her two children to attend her sister’s wedding. However, the trip is upset by unexpected events that bring secrets into the open.
Asghar Farhadi’s Everbody Knows is a melodrama that takes itself too seriously – one that pulls in each and every direction to try and find some thematic footing, and ends up not saying too much about anything.
Though containing some elegant set design and impressive cinematography, Murder on the Orient Express can’t quite intrigue you to the potential that it could’ve, due to underdeveloped characters and an anticlimactic final reveal.
In the next of our Take Two series, we tackle Cameron Crowe’s Vanilla Sky, which may not be quite as remarkable as initially remembered.
