sci-fi
Thus far, Marvel and Disney’s Hawkeye is proving to be an entertaining romp that doesn’t feel as bound by the MCU timeline.
An elegy not just for the human race but for the great artist that brought it to the screen, Last and First Men is a striking meditation on mortality.
In the first Animation Sensation, Dallas Marshall reviews Wizards, that while flawed, is worth checking out just for its audaciousness alone.
It’s films like Angel’s Egg that make the critic feel like a charlatan, aimlessly looking for patterns in the entrails.
Even if it had come out on time, the halfhearted critique it offers up is neither challenging nor engaging.
In her final report, Kristy Strouse reviews Werewolves Within, The Kids, No Future & Ultrasound.
The latest edition of Film Inquiry’s horror movie-centered column, Horrific Inquiry, takes a look at the 2001 Japanese film Kairo, or Pulse.
Stowaway had the potential to be an incredible examination into the philosophy surrounding survival and hope, yet delivers with a lackluster presentation.
Film Inquiry interviews Joe Penna about his film Stowaway and the sense of isolation it presents and the everlasting prospect of hope.
While Godzilla vs. Kong is by far the best installment of this rebooted franchise, the MonsterVerse could still learn a few lessons from its forerunners.
Whether you’re looking for ethical complexity or fascinating character studies, you won’t find it in Watchmen.
The 1979 film Stalker is a road movie where characters go deeper into their own minds and what worries the deepest hidden corners of their body and soul.
Monster Hunter is a relic of sorts, where the guts and action, unrefined and tawdry as they are, are at least based on a genuine creative impulse.
As an action film, Chaos Walking works, it’s a fun popcorn flick, but It’s a pity most of these characters can’t stop talking.
Come True is a visually stunning and beautifully directed film, but its twisty plot sometimes goes too far.