science fiction
In this new Fantasy Science, we are revisiting the Fermi Paradox: if there are so many galaxies and planets out there, why haven’t we found evidence of alien life?
Hover is an expertly crafted horror film focusing on a future almost too close to home. Cleopatra Coleman stands out for her remarkable performance and wonderfully crafted and memorable script.
Guest author Brooke Whipple analyzes the representation of gender in Invasion of the Body Snatchers, and how it foreshadows humanity’s destruction.
With a re-release on 70mm, we look back at the sci-fi classic 2001: A Space Odyssey, which continues to astound after 50 years.
Upgrade a gleefully nasty film that relies on a unique mixture of futuristic beautiful landscapes and old-school grindhouse fun.
In this 7th part of the Fantasy Science series, we are going to chat about naturally occurring biological immortality, with the help of movies.
Despite its name, Future World, with its interesting premise and a high-caliber cast, is meant to become a film that’s a part of the past.
Too heavy in its fan service at times, Solo: A Star Wars Story is not a terrible Star Wars entry, with enough fun moments to please.
Despite its absurd concept lending itself to occasional entertaining satire, The Jurassic Games suffers from poor visuals, bland cinematography, and poorly developed stereotypical characters.
With the inclusion of a MacGuffin and the eventual predictable narrative that follows, Fahrenheit 451 misses out on a golden opportunity to connect with a modern audience.
While many found the 2017 release of Blade Runner 2049 to be misogynistic, the perceived sexism within the film may be more than meets the eye as the movie turns out to express anxiety about the past and not the future and an avoidance of human society.
In this segment of Time Crisis, we look back at the 2014 hit Edge of Tomorrow, examining why this is the best time loop film since Groundhog Day.
Film Inquiry’s resident physicist takes a look at teleportation in film and TV, explains how teleportation would work, theoretically, and whether one day we might be teleporting from A to B.
Orbiter 9 recalls independently minded sci-fi films such as Sunshine and Moon – but lives in the shadow of its very obvious inspirations.
Kristy Strouse reviews her final batch of films from Tribeca Film Festival, including Zoe, In a Relationship, and Woman Walks Ahead.