sexuality
We spoke with Erica Rose & Chelsea Moore, the creators of Sour Peach Films, about both their company and their new short called Girl Talk.
Studio 54 was blessed to be a documentary about something unendingly interesting, unfortunately, by taking on a big topic and failing to ever get specific,it fails to live up to its great potential.
We spoke to directors Robert A. Clift and Hillary Demmon about their new documentary, Making Montgomery Clift,about the process behind the documentary and retelling Monty’s story.
We got the chance to speak to director Yann Gonzalez about his new film Knife + Heart after its US premiere at Fantastic Fest.
Colette touches on a few of today’s most vital conversations: how society treats women and how society treats those who identify with the LGBTQ+ community.
With an interesting premise not given the correct treatment, The Escort stands as a cinematic experiment that didn’t quite work out.
The English language debut of iconic French director Claire Denis is thematically dense and transgressive, designed to provoke intense debate.
We spoke with Denise Gough, who stars opposite Keira Knightley in Colette, about her gender defying character, and how she hopes it begins some positive change.
Consequences coats us in a layer of melancholy through its showcase of intolerance rather than using the art of filmmaking to empower the LGBTQ community.
Our latest TIFF review is Les Salopes, a subversive film about a woman’s sexuality that is sure to be compared to the #MeToo movement.
Bonding creates thoughtful and memorable characters and showcases their work in a positive light leading towards self-discovery and the building of relationships, both romantic and platonic.
It might focus on a man with cancer, but Tucked remains resolutely upbeat in its belief that true happiness can only be found when we are true to ourselves.
While Snapshots is far from a perfect film, it made with such an admirable degree of earnestness, with so much feeling, that it is easy to overlook the flaws.
We the Animals is an undeniably moving film, but one whose emotional power is curbed by its similarity to other notable US indies of recent years, failing to rise out of the shadows.
The Miseducation of Cameron Post hits on a topic that is contemporary and significant but it never handles this in a way that feels, for want of a better word, preachy.
