surrealism
A classic horror film of Haitian voodoo and zombies, The Serpent and the Rainbow continues to scare and delight viewers with its historical relevance and impressive details.
Annihilation is best viewed as a trip deep into an otherworldly house of horrors, offering a deliberately illogical twist on the formula of horror movie storytelling.
The Golden Bear winning, Oscar nominated On Body and Soul is one of the most bizarre love stories in recent memory. It’s a treat for adventurous viewers.
Bitch is an energizing study of a deep-rooted societal problem told with boldness and a healthy scoop of humor.
In response to Mexico’s sexual conservatism, director Amat Escalante cooked up The Untamed, a film which has to be seen to be believed.
Final Portrait is filled with acute vigor, seamlessly-interwoven humor, impeccable historical accuracy, and superb acting that combine for another Tucci gem.
In Suspiria, Argento’s use of space, lighting, vivid colors, grandiose set pieces, and Goblin’s score create a masterclass in suspense and subliminal terror.
The importance and brilliance of colour in film cannot be stressed enough. Colour has the amazing ability to grab the audience’s attention, foreshadow information and control or influence emotion consciously and/or subliminally.
In this installment of Take Two, Robb Sheppard reconsiders David Lynch’s Mulholland Drive after a less-than-satisfying first viewing.
The only thing to “Be Afraid” of is the lack of originality in this uninteresting horror effort from director Drew Gabreski.
Our next installment of Take Two sees us examine David Lynch’s divisive debut feature about strange dreams and deformed children: Eraserhead.
From the biting neorealism of Visconti and De Sica to the gory giallo of Argento, the storied history of Italian cinema is truly compelling.
Before I Wake feels like a parody of director Mike Flanagan’s more successful work, prioritising emotional manipulation over story and scares.
Despite its poor rap of recent years, parody a rich genre with great gems. In this Beginner’s Guide we consider its history and current status.
SXSW Review: SORRY TO BOTHER YOU: Boots Riley’s Absurdist, Existential, Surreal, Anti-Capitalist Sci-Fi Masterpiece Of A Debut
It’s hard to describe what Boots Riley’s debut, Sorry To Bother You, is actually about, because it is trippy, all over the place, and absolutely brilliant. You need to see it.