Thomas Stuber
In the Aisles takes audiences deep into the emotional lives of people who seem destined to hover on the periphery and highlights the beauty to be found there if one bothers to look.
Our report from Chicago International Film Festival, with reviews of, among others, Friedkin Uncut, In the Aisles, and Father the Flame.
In Gus Edgar’s final rundown of the films of the Berlinale, he reviews Die Tomorrow, Ága, Human, Space, Time and Human, In The Aisles and more.
