thriller
Combined with Vaughn’s ability, there’s a genuine surprise to this entry that may make this the best of the series.
On this Blindspots Jake and Kristy do another double episode for ‘Thrillvember” with four more thrilling films.
Daryl MacDonald spoke with director Aneil Karia about his film The Long Goodbye, the Oscars, to his latest film Surge, and more!
A 50th Anniversary retrospective on Steven Spielberg’s first feature-length film, Duel, and its place in Nixon’s America.
In its final episodes, I Know What You Did Last Summer is able to reestablish the firm commitment it has promised at the series’ beginning.
Between its seemingly inconsistent mythology and a confusing timeline, Double Walker forces the audience to work harder to appreciate its strengths.
Out of the countless productions of The Scottish Play that exist, Coen definitely brings something new to the table.
Film Inquiry spoke with co-writers/directors/star of The Beta Test, PJ McCabe & Jim Cummings.
The episode delivers its most brutal and graphic kill to date, coupled with a further dive into horror classics with a House of Wax feel.
Last Night in Soho immediately pulls you in with its colorful visuals and strong performances but it lacks the subtlety necessary to be truly impactful.
Although it can feel a little bit by the numbers, Bull is lifted by the excellent performances and the unflinching violence which underscores its premise.
Returning to the tension that made the first two episodes a success, I Know What You Did Last Summer leave viewers with its first cliffhanger.
Episodes 3 & 4 are not bad, but they are certainly not the best, losing much of the steam and identity the first two episodes worked so hard to generate.
For a first-time director, Kempff had a very stylistically sharp vision for Knocking which is bogged down by an overly meandering tone.
From the incredible acting to the expertly done cinematography to the at times astonishing set pieces, Boiling Point is the full meal.