thriller
The originality of I Blame Society is an exquisite example of how quickly the thin line between reality and art can blur.
Neither horrific nor revelatory, The Last Exorcist brings little new to the well-trod table despite its best of intentions.
Hannibal Rising poses the question about what kinds of monsters we make of ourselves by settling for the aesthetics of political virtue.
While it boasts gorgeous cinematography and framing, American Thief fails to find cohesion in its message and in its narrative.
Lapsis is topical, revolutionary, and maddening, encouraging viewers to think critically about the economic systems that govern their lives.
Attack The Block from Joe Cornish remains a rare gem that challenges the audience just as much as it entertains.
The Devil All the Time is disturbing and unrelenting in its catharsis and its portrayal of the cycles of violence.
Fargo feels monotone as it’s too busy delivering speeches instead of creating compelling arguments about the timeless topics it wants to tackle.
The ghosts and ghouls are fun, but this is ultimately supposed to be an allegory for Taiwanese oppression, and on those grounds, Detention fails.
Antebellum, for all it promises, fails on several levels to ever come full circle in its intent while only worrying about a failed twist ending.
Deep down, what Possessor offers isn’t just violence and shock value, but has real ideas about identity and capitalism.
Maria Lattila chatted to director Darren Lynn Bousman about his new film Death of Me as well as the upcoming Spiral: From The Book of Saw
Darren Lynn Bousman’s Death Of Me is fascinating and terrifying but occasionally stumbles into problematic territory.
Let’s Scare Julie is technically ambitious and impressive, but never utilises its format to the fullest.