thriller
In our latest from the 2023 Toronto International Film Festival, Kristy Strouse reviews Irena’s Vow, Days of Happiness and Holiday!
The Royal Hotel is at times a tense and engaging thriller with poignant performances, but sometimes its message feels muddled.
Helgeland writes and directs Finestkind with all the right intentions, but it ultimately feels shallow.
If you like horror or mystery or just like to be kept guessing, then this is a movie that you’re going to need to see.
While Haunting of the Queen Mary may struggle to find its sea legs, it culminates into an epic voyage of terror and twists.
While thus far, I have delivered my thoughts in the showcases, in my last report, there’s a little bit of everything.
Madeleine Collins proves that Virginie Efira belongs to that elite tier of actresses capable of elevating even the most mediocre material.
While nowhere near as successful as the Conjuring franchise in popularity or quality, The Haunting in Connecticut proves itself entertaining.
Prey offers an excellent example of less being more, especially in a series long known for its over-the-top dialogue and gory violence.
The Mire was a fantastic, tense ride that doesn’t rely on action set-pieces or flashy effects to draw your attention.
The Descent: Part 2 falls within the overflowing pot of sequels made for the sake of making a sequel.
The Descent is a film you literally feel, in a league all of its own.
Perfectly Good Moment is a difficult-to-watch and captivating thriller.
Safety Last!, Harold Lloyd’s most famous picture, manages to have impressive effects while also delivering delightful comedy throughout.