United States
The Post is less than the sum of its parts; an effectively directed and acted film, but its most dramatic story is left in the margins.
Ekaj captures the reality of LBGTQ youth that find themselves discarded by life. When their…
Despite a chilling concept and a serviceable lead performance, The Faith Community still leaves a lot to be desired.
The skillfully obtuse Infinity Baby withdraws from a usual comic routine and commits to its outrageous nature wholeheartedly.
The Only Living Boy in New York is a competently directed film pulled down by a mediocre script and relying too heavily on melodrama.
Heal is a documentary for everyone, whether one considers themselves an optimist, pessimist, believer in a higher power, atheist, or otherwise.
Princess Cyd is a low-key marvel; a warm-hearted examination of the ways that we relate to one another whilst dealing with our differences.
With a weak and unfocused plot, Todd Haynes’s Wonderstruck feels like a love letter that isn’t quite sure who it’s addressing.
With Bombshell: The Hedy Lamarr Story, Alexandra Dean shows who Lamarr truly was: a genius inventor who was denied recognition most of her life.
The heart of Daddy’s Home 2 is lost by formulaic tendencies and its overbearing insistence on being funny. It’s no future Christmas classic.
Wonder may have all the trappings of passable family-friendly fare, but it is jumbled, unfocused, and far too unbelievably sappy.
The Florida Project offers a unique and essential glimpse into contemporary poverty in America, encompassing both its wonders and hardships.
Three Billboards Outside Ebbing, Missouri is a funny yet brutal film, presenting complex quandaries of grief, violence, and rage.
Mudbound is a gorgeous and affecting film, regarding themes of racism and the after effects of war in 1950s Mississippi.
Regardless of the context it’s currently being viewed in, Louis C.K’s I Love You, Daddy,…