Jenkins, Gadot and company all worked admirably to bring the first Wonder Woman film out in a grand, exciting way, and that work has not gone to waste.
Old Enough is an affectionately accurate depiction of how it feels to grow into an age when the opinions of friends are all that matters.
Speech & Debate isn’t great, but is enjoyable despite its plot holes, and features a great performance from Sarah Steele.
So Yong Kim’s Lovesong is a minimalist, strikingly formed small-scale drama about two female friends slowly falling in love.
While The Wizard of Lies is overly long and brings nothing new to Bernie Madoff’s story, Robert De Niro’s performance more than makes up for it.
Though blessed with a talented cast, Baywatch is overall a shipwreck, due to its rudimentary, unfocused script and few laughs overall.
Alien: Covenant takes a valiant attempt at re-creating the magic from the original, but ultimately falters from screenplay to screen.
With Take Me, actor Pat Healy brings his talent behind the camera, and in the process creates a delightful twist on the kidnapping narrative.
Overloaded with action and lacking in strong character moments, Dead Men Tell No Tales is an unworthy addition to the Pirates franchise.
Joan Crawford & Bette Davis’ feud is one of classic Hollywood legend; we look at What Ever Happened To Baby Jane and how they became rivals.
The Wall has a kick-ass ending worth shouting about- it’s just a shame the journey there is significantly less interesting.
Wakefield is an introspective and interesting examination into a man who willingly decides to isolate himself from his family and the world.
Chuck is the story of boxing legend Chuck Wepner, yet never quite manages to match the outsized metaphoric grandeur of the film it inspired.
People is a profoundly packed indie, with the intricacies of the human condition and relationships manifesting into a well-realized film.
David Lynch: The Art Life delves into the abstract world of Lynch, the artist. But while it intrigues, some mysteries still remain.