In Miss Bala, a woman finds a power she never knew she had when she is drawn into a dangerous world of cross-border crime.
We spoke with Richard Todd about the difficult process of making his emotionally stirring documentary about organ donation, Dying To Live.
Richard Todd’s Dying to Live is a sincere portrait of the state of Australian organ donation, a weirdly taboo topic with the highest of stakes.
Soul to Keep is a horror tale about sadistic ritualism that, whilst having its heart in the right place, struggles to break free from the shackles of genre conformity.
“It’s Her Kid” is another messy How To Get Away With Murder episode but at least it feels like we’re heading somewhere.
Episode 6 was the episode we have all been waiting for – the “Return to…
If you belong to nearly any demographic, Johnny English Strikes Again will serve as a colossal letdown, and leave you contemplating how Rowan Atkinson could enter such a slump.
Riverdale was back in fashion for episode 2 “Fortune and Men’s Eyes”, bringing Archie and the gang back into focus and continuing its tradition of dropping a huge plot twist in the closing moments.
In The Aftermath, a British colonel and his wife are assigned to live in Hamburg during the post-war reconstruction, but tensions arise with the German who previously owned the house.
We spoke with the director of What They Had, Elizabeth Chomko, and the personal nature of her film, and filmmakers who inspire her.
We spoke with Sandra Seeling Lipski, director of Evolution Mallorca International Film Festival, about what new things the fest has to offer this year, and more.
If you have children who are itching for a cinema trip during the spooky season, there have been much worse offerings than Goosebumps 2 in the past.
Night School is unforgiveably bland. It’s difficult to care about anything that happens, because the jokes are so flat, and the characters so dull.
The Old Man and the Gun is a love letter to many things: the 1970s/early ’80s, the aging outlaw trope so often seen in Westerns, and to film itself.
Our latest report from LFF includes a nice mix of crowd pleasers in-waiting, anticipated auteur efforts, and a slew of arthouse discoveries.