Glass blends M. Night Shyamalan’s Split & Unbreakable, pitting Unbreakable’s security guard (Bruce Willis) against Split’s creature (James McAvoy).
We spoke with Derrren Brown about his latest Netflix show Sacrifice, as well as his development as a performer, and his future projects.
Roma is a film that improves with each passing minute; even though occasionally underwhelming, the longer it lingers in your mind, the more of an impact it will have.
Green Book is cinematic comfort food, equipped with witty performances and the aura of social importance, yet undistinguishable from the tons of other polite Oscar dramas that came before it.
I Still See You is another entry to the endless array of young adult fare, and it’s a near flop that doesn’t look to be boundary-defying, instead playing it safe.
Though easily levelling with The Wonders in terms of visual quality, the lack of investment leaves Happy as Lazzaro a rather transitory collection of charming anecdotes.
In Hirokazu Kore-eda’s Shoplifters, a family of small-time crooks take in a child they find on the street.
On numerous conscious and subconscious levels, Jean Vigo’s Zero for Conduct is one of the most honest examinations of humanity and human society yet made in cinematic form. That is Anarchic Cinema.
Disquieting and deeply moving, Sadie takes its story to extreme lengths while still feeling utterly grounded in the emotional reality of its characters.
Avoiding the classic cliches of a grieving teenager, Nick Naveda’s debut Say You Will will pleasantly surprise any movie lover, perfectly capturing the feeling of loss and romantic confusion.
Carefully crafting within the episode through deconstructed time, “Boy Wonder” is the episode American Horror Story: Coven fans have been waiting for, setting up the perfect return for Murder House.
Riverdale’s season 3 premiere episode, while a slow burning start, ended with a bang, announcing to fans that season three may be their most devilish yet.
London Film Festival has finally kicked off, and the Film Inquiry team are getting to…
On the performances alone, Bad Times at the El Royale is worth your time and money, lending itself to justifiable reasons to revisit for multiple viewings.
Black ’47 isn’t a perfect film – the shaky characterisation prevents the emotional undercurrents from truly picking up speed. Regardless, it’s a fantastically captivating historical epic.