It’s rare that composers adapt themes and pieces, but Michael Giacchino’s bold steps to make everything he composes personal makes him stand out as one of contemporary cinema’s leading composers.
It isn’t the glossiest documentary, and there isn’t a significant style or a comfortable flow, but what Evil Genius lacks in pizzazz in makes up for in persistence and unearthing.
Italian-American filmmaker Jonas Carpignano has shown in only his second feature, A Ciambra, to be one of the most empathetic social realist filmmakers working today.
With a divide between masterful filmmaking and a hard to buy love story, audiences will find Adrift enjoyable, but with a disposable romance.
In Guadagnino’s Suspiria, a darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
Sarah Paulson fits the criteria of great actors. She has range and stamina, two incredibly important things to have in Hollywood.
Boys For Sale dives into the world of the urisen (also known as “boys”) that are paid to have sex with other men. Brought in by the allure of a high paying part-time job, urisens have to learn to navigate the industry as they go.
Uniting four legends of the screen for a shot of summer silver screen cinema, Book Club is every bit as formulaic, disposable and harmless as you would expect.
Too heavy in its fan service at times, Solo: A Star Wars Story is not a terrible Star Wars entry, with enough fun moments to please.
In this Sundance London Film Festival Round-up, Alistair Ryder looks at the films he saw that charmed Sundance audiences enough to make the trip across the Atlantic.
A remake of the 1973 prison escape film, Michael Noer’s Papillon stars Rami Malek, Charlie Hunnam and Eve Hewson.
If you’re a fan of film and/or soccer it’s impossible not to find things to like in all of these films, which played at this year’s Soccer Film Festival.
Many audiences will likely shy away from the graphic depiction of abuse within director Jennifer Fox’s autobiographical film The Tale, but the film’s frankness is often its greatest asset.
There’s a caption that appears on screen at the very beginning of Bruce LaBruce’s The…
The adventures of Ms. Marvel aka Kamala Khan are already among Marvel’s highest selling comic book properties – and bringing her story to the big screen would not only be a financial success, but a cultural one, too.