In this Sundance London Film Festival Round-up, Alistair Ryder looks at the films he saw that charmed Sundance audiences enough to make the trip across the Atlantic.
A remake of the 1973 prison escape film, Michael Noer’s Papillon stars Rami Malek, Charlie Hunnam and Eve Hewson.
If you’re a fan of film and/or soccer it’s impossible not to find things to like in all of these films, which played at this year’s Soccer Film Festival.
Many audiences will likely shy away from the graphic depiction of abuse within director Jennifer Fox’s autobiographical film The Tale, but the film’s frankness is often its greatest asset.
There’s a caption that appears on screen at the very beginning of Bruce LaBruce’s The…
The adventures of Ms. Marvel aka Kamala Khan are already among Marvel’s highest selling comic book properties – and bringing her story to the big screen would not only be a financial success, but a cultural one, too.
While lacking the effervescence of his previous film Claire’s Camera, Sang-soo Hang’s The Day After has a mournful cloud that hangs over this digital monochrome display of admirable honesty.
Just like his earlier short, Hereditary feels like nothing more than a provocation, updating the parental anxieties of Rosemary’s Baby for the modern era — and adding no substantial allegory that makes it feel any deeper than this.
A working-class family man, Christopher Robin (Ewan McGregor), encounters his childhood friend Winnie-the-Pooh, who helps him to rediscover the joys of life.
While cathartic in the emotional expression of the finality of death, Irreplaceable You fails to be memorable, forgotten long after the credits have rolled.
In a world full of soulless remakes, Luca Guadagnino’s Suspiria is one that has the potential to be fresh, exciting and unique.
A Kid Like Jake succeeds on behalf of Howard’s confident direction, Pearle’s sharp-witted and empathetic script, and two outstanding performances from Danes and Parsons.
In the latest of our Away From the Hype series, we take a look at The Dark Knight Rises, the final cap to Christopher Nolan’s Dark Knight trilogy.
Despite its absurd concept lending itself to occasional entertaining satire, The Jurassic Games suffers from poor visuals, bland cinematography, and poorly developed stereotypical characters.
On Chesil Beach feels like three separate character studies awkwardly forced into one occasionally incoherent film – but with a characteristically brilliant Saoirse Ronan performance at the centre, it is never anything less than compelling.