Shawn Glinis attended the Westworld panel which was a complete whirlwind, and saw Spike Lee’s new joint at the Alamo Drafthouse. This is a report from SXSW 2018.
Death Wish is a victim of poor timing due to current public sentiment in regards to guns and violence, but its generic revenge story and wasted cast don’t much help matters either.
In a new series, Sean Fallon takes a fresh look at films that attracted controversy and excess hype during their initial release to see if they hold up today. First up: Paul Feig’s all-female remake of Ghostbusters.
Arlin Golden got to talk with the legendary Jane Goodall, discussing her amazing experiences with apes and her reaction to the recent documentary about her called Jane.
It’s easy to hold the moral high ground and dismiss works created by awful people. But, as Jacqui Griffin writes, rejecting one of your favourite films (in this case, Allen’s Annie Hall) on these grounds is easier said than done.
Andy Warhol is often considered a pioneer of the “anti-film” or cinematic nihilism, though his films themselves leave much to be desired.
Set in the gritty underbelly of southern China, Have a Nice Day (Hao ji le) is a dark comedic commentary on greed and materialism and only a small peak into what director Jian Liu has to offer.
Beast of Burden is a schlocky B-movie and, in some ways, that’s okay. Daniel Radcliffe exceeds expectations in Beast of Burden, a crime thriller that’s as hackneyed as one can be.
Where the original Wreck-It Ralph confined itself to video games, the sequel unleashes Ralph and Vanellope onto the maze that is the internet.
Richard Matheson’s 1954 novel I Am Legend has been adapted to the screen three times- but have any of the cinematic adaptations effectively translated the source material? Zac Hestand finds out.
Loaded with a star-studded cast, Nostalgia is an emotional trip down memory lane. It’s a poetic, yet melancholy look into the transitions of life and how it affects those around us.
Dante Lam’s latest military rollercoaster ride, Operation Red Sea, is an unrelenting vehicle of authentic action entertainment, an extensive series of well-executed, thrilling combat sequences.
It’s hard to imagine how Let The Sunshine In could go wrong, and given the strong reviews after its premiere at Cannes last year, it seems like a sure bet for any self-respecting cinephile.
With many facets within her career from the filmography, to her love life, to her untimely death, there’s no question that Natalie Wood deserves to be eulogized as a formidable actress and a caring human being. Here is a rundown of some of her very best.
Despite some real imaginative sequences, which are illuminated by excellent production design and great costume choices, See You Up There’s lacklustre style isn’t consistent, never quite reaching the heights that the absurd tale requires.