Félicité contains some of the most powerful moments of any movie this year, yet never quite amounts to the sum of its impressive parts.
Jurassic World: Fallen Kingdom is bringing back the dinosaurs, and that’s all we really care about, right?
Masaaki Yuasa is known for his dynamic anime, which take inspiration from surreal 1960s-70s animation and Golden Age Disney films.
Heavily reminiscent of Michael Haneke’s Funny Games, Chameleon boasts three great performances – but still leaves a sour aftertaste.
The Disaster Artist is a painstakingly recreated and, above all, entertaining film about the making of Tommy Wiseau’s cult classic The Room.
Manifesto, based on an art exhibit, contains an incredible multi-role performance by Cate Blanchett, but it doesn’t add up to a coherent film.
Many films which emerged in 2017 were affected and received based on the cultural sentiment; here are a few examples.
The Killing of a Sacred Deer is an exploration of revenge and retribution, with one of the most brutal endings you will ever lay eyes on.
Jumanji: Welcome to the Jungle is a surprising treat, modernizing the original film while also creating a fun, lively action-adventure.
So you want a female spy movie, huh? Well look no further than Red Sparrow, a star-studded tale of Russian and U.S. intelligence agents.
Quest is both a mirror and a window, showing both symptoms of our culture and the ways in which individuals subvert and redefine them.
We spoke with the director & star of THE PIRATES OF SOMALIA, Bryan Buckley and Barkhad Abdi, about making the film and their futures.
I, Tonya is a refreshingly dark comedy biopic about the famous 1994 Tonya Harding incident, and is laden with incredible performances.
The Pirates of Somalia is a fantastic adaptation of its non-fiction source material, including a commendable performance from Evan Peters.
With innocent characters and a basic plot, the beauty and simplicity of The Nightmare Before Christmas has helped it stand the test of time.