While the story might be similar to more of MCU’s fare, Ryan Coogler is still making major change with Black Panther.
Taxi Driver is a complex film in the way it presents a relatable character and then shows the increasingly erratic choices that he makes.
A reworking of The Little Mermaid, Agnieszka Smoczynska’s The Lure is quite a unique and often spectacular cinematic treat.
Mayhem is a culmination of film, art, historical and current affairs references, genre juxtapositions, and effective stylized filmmaking.
Despite some flaws, Suburbicon is still a riot of a good time, poking fun at the inherent obscurity of the American Dream in a unique way.
Mum is an incredibly moving and profound short film about a transgender woman reconnecting with her ailing mother.
Evil Dead 2 succeeds in finding the twisted humor within the horror genre and makes the film a memorable exercise of cartoonish entertainment.
Rodents Of Unusual Size is a lesson in just how much a canny filmmaker can fit into a documentary that’s barely an hour long.
Let’s hope Father Figures is funnier than the trailer suggests. The film stars Owen Wilson and Glenn Close and is directed by Lawrence Sher.
Running in at just 15 minutes, Penalty’s unique style of cinematography and editing make it a powerful piece of cinema.
Maybe it’s slightly too long and loses focus on a handful of occasions, but Kingdom of Us is a vital watch, carrying a real sense of urgency.
Though not every element of The Square works, and frequently gets heavy-handed, it’s hard not to appreciate Ruben Östlund’s sense of humor.
For Dinner With Dames #11, Cinefemme gathered women filmmakers to dine with Rachel Shane, Chief Creative Officer at OddLot Entertainment.
At the 53rd Chicago International Film Festival, writer Laura Birnbaum recalls the wonderful films she was able to see.
Brad Pitt is both an A-list star and a character actor who collaborates with the best filmmakers working. Here are some of his best roles.