Matt Keeslar is a lesser-known actor that nonetheless gave some fine performances across many different genres.
Home is an unapologetic look at the limited options available for Kosovo women and the oppression of its patriarchy.
Though with potential, Risk is ultimately an unoriginal look at Julian Assange, and pales in comparison to Poitras’ past work.
Australia Day is a Crash-style drama that contrasts 3 different minorities facing persecution and racism on the backdrop of Australia Day.
Death Wish is directed by Eli Roth and stars Bruce Willis, Mike Epps, Camilla Morrone, Dean Norris, Vincent D’Onofrio and Elizabeth Shue.
Evan Mascagni is a former lawyer with a passion for righting the wrongs in the food industry. He talked to FI about his latest documentary.
Beyond Food is a documentary that explores recent trends and diets in the food industry, asking advice from numerous professionals. We spoke with director Tom Reyes.
Lacking substance or exploration of themes, The Bad Batch is a pointless post-apocalyptic, psychedelic trip to nowhere-land.
The Dark Tower may not be a complete disaster, but it has numerous flaws that weigh down what could have been an entertaining film.
Darren Aronofsky returns to his bread-and-butter with Mother!, a psychological horror film long shrouded in secrecy.
The real power of scores is the intensity of feeling, the nostalgia of remembering, and (above all) the way it cements a film’s legacy.
To some audiences, the works of Shakespeare are synonymous with boring, old fashioned literature- these adaptations breathe in new life.
Another entry in the continuing trend of independent horror, Cut Shoot Kill just manages to stand out amongst the masses.
Film Inquiry writer Alex Lines was able to sit down and talk with Luca Guadagnino, director of Call My By Your Name and the upcoming Suspiria.
Whose Streets? is a black story told by black voices, presenting a perspective that has remained elided in mainstream debate over black bodies and lives.