To this survivor, To The Bone had the chance to inspire understanding of anorexia, but ended up being a disappointment.
It’s our first glimpse at the long-gestating and mysterious Suburbicon from the minds of Joel and Ethan Coen, and lo and behold, it’s a farcical crime comedy.
Plastic Paradise shines a spotlight on the problems that our society has created and its impact on the world in which we live.
We spoke with Executive Director Dave Cowen of The Roxie Theater in San Francisco about the art of screening celluloid film and how they keep film alive.
In this version of Marivaux’s play False Confessions there are laughs to be had, but its adaptation to modern day makes it a confusing watch.
Emily Wheeler takes over for Mike and joins Jay in this 10th episode of the Film Inquiry podcast, in which they talk the movies of the moment.
Fighting Belle initially seems to have potential as a unique and inspirational revenge story, but it ultimately feels cringeworthy instead.
Straight Outta Compton brilliantly displays the legendary gangster rap group N.W.A., and masterfully captures their world.
Happy Hour excels in every way a narrative film can, leaving no stone unturned in its examination of different aspects of social life.
War for the Planet of the Apes is a must-see, visually stunning achievement and a satisfying addition to the series.
Todd Haynes’ experimental film Wonderstruck is set in both the 20s and 70s and offers up an interesting take on its source material.
Fat Camp may be generic in both story and direction, but it has enough charm and heart to make up for some of its shortcomings.
Transformers: The Last Knight is a surprisingly engaging film for the franchise, bringing the series in an interesting direction storywise.
The Aubrey Plaza starring comedy The Little Hours has caused controversy in the catholic community – but is it detrimental to the religion?
The Snowman is a moniker the killer of this film has given himself, leaving themed clues (and bodies) for detectives to find.