Features
In the latest Away From the Hype installment, Sean takes a look at Avatar, James Cameron’s Oscar-winning motion capture landmark, and if it still holds up after almost 10 years.
Kristy Strouse shares her interview with director Debra Granik, discussing survivalist training, PTSD and her new film Leave No Trace.
25 years since its release, Jurassic Park still terrifies, inspires and fascinates the minds of viewers young and old.
It’s a tough time in Hollywood for the male elite at the minute, as their history of heinous behaviour towards women gradually becomes common knowledge.
In this in-depth conversation, we spoke with Boots Riley about his artistic influences, the “2018 Rat Pack,” as he calls his cast, his seven-year journey of getting Sorry To Bother You made, and more!
Guest author Brooke Whipple analyzes the representation of gender in Invasion of the Body Snatchers, and how it foreshadows humanity’s destruction.
We spoke with Sophie Skelton about her new film, 211, what it’s like working with a veteran like Nicolas Cage, and also what fans can expect from season four of Outlander.
Between Monday 4th and Friday 8th June, 16 major trailers were released. Nathan Osborne looks past the hype to see which is best.
With a re-release on 70mm, we look back at the sci-fi classic 2001: A Space Odyssey, which continues to astound after 50 years.
We got to speak with Joanne Mitchell, the creator and star of the outrageous horror-comedy Attack of the Adult Babies.
Handed down through folklore and myths, movies about doppelgängers present a lasting cinematic device through all kinds of uncanny scenarios.
At the second San Francisco Dinner with Dames, Cinefemme gathered a group of women filmmakers to dine with literary manager and partner at Magnet Management.
Alex Arabian spoke with T Cooper, writer and director of the documentary Man Made, which focuses on the subject of trans men bodybuilding.
In this 7th part of the Fantasy Science series, we are going to chat about naturally occurring biological immortality, with the help of movies.
The view on the 1990s Star Wars prequels is synonymous with hubris, failure, and shoddy filmmaking, that is until Disney came into the picture and changed the image completely with its latest additions to the franchise Rogue One and Solo.