Features
We were able to talk with Mark Duplass, executive producer of the six-part Netflix documentary series Wild Wild Country, about what it was like to delve into such a hidden and bizarre piece of history.
We spoke with Anders Walter about the making of I Kill Giants, what draws him to the intersection of fantasy and death in storytelling, directing a phenomenal, female-led cast, and what he’s looking forward to in his career.
We spoke with the Jackie van Beek & Madeleine Sami, directors, writers and stars of upcoming New Zealand comedy The Breaker Upperers, about their work together as well as Taika Waititi’s role as a producer on the film.
In this first part of Fantasy Science, our resident physicist Radha Pyari Sandhir explains wormholes and discusses how they are portrayed in film, and explains what the real life science behind them is.
The screenplays of A History of Violence and Rambo: First Blood share similarities in their stories, such as centering on violent men who are confronted by their past, and how each of them deal with this collision of their two worlds.
In a new series, Sean Fallon takes a fresh look at films that attracted controversy and excess hype during their initial release to see if they hold up today. First up: Paul Feig’s all-female remake of Ghostbusters.
Arlin Golden got to talk with the legendary Jane Goodall, discussing her amazing experiences with apes and her reaction to the recent documentary about her called Jane.
It’s easy to hold the moral high ground and dismiss works created by awful people. But, as Jacqui Griffin writes, rejecting one of your favourite films (in this case, Allen’s Annie Hall) on these grounds is easier said than done.
Andy Warhol is often considered a pioneer of the “anti-film” or cinematic nihilism, though his films themselves leave much to be desired.
Richard Matheson’s 1954 novel I Am Legend has been adapted to the screen three times- but have any of the cinematic adaptations effectively translated the source material? Zac Hestand finds out.
We summarise the evening of the 90th Academy Awards and go over the winners and losers and the highlights of the evening!
With the upcoming likelihood of an Oscar for Darkest Hour, we look back at Gary Oldman’s over three decade long memorable career.
Emotional and heartbreaking, shocking and impactful, theses short films are an exemplary showcase of Hollywood’s menagerie of talent. Here’s a brief rundown of 2018’s Oscar nominated live action shorts.
The Post will likely be overlooked at this year’s Oscars, but with its historical depiction of the fight for the press and democracy, as well as its similarities to present day, it is still worth watching.
Dorota Kobiela and Hugh Welchman, the directors of Academy Award nominated animation Loving Vincent, spoke to Film Inquiry’s Nathan Osborne about the seven year process to bring their unique biopic to the big screen.