Features
In this installment of Take Two, Robb Sheppard reconsiders David Lynch’s Mulholland Drive after a less-than-satisfying first viewing.
Abraham Lincoln: Vampire Hunter shocks and surprises as it makes you think twice about Lincoln’s true identity.
The Silent Hill movie was a fun movie with its own story, while still holding onto a level of faithfulness from the video games.
If we can accept aesthetic subversion as a form of commentary or aesthetic, why do we still consider trash films as some sort of failures?
In our latest entry of The Nominated Film You May Have Missed series, we discuss the 2005 political drama Good Night, and Good Luck.
Enid and Rebecca’s ironic appreciation of pop culture in Terry Zwigoff’s 2001 cult film hides an insightful look at young adulthood.
The Planet of the Apes films have made us wonder about the price of power, and how humans will do everything to get it – will the third do the same?
For Dinner With Dames #9, Cinefemme gathered a group of women filmmakers to dine with Lawrence Kopeikin, entertainment attorney at Morris Yorn.
In the second of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
Be they underrated flops, or initially acclaimed works that were forgotten, here are Film Inquiry’s picks of the films time shouldn’t forget.
Manon de Reeper spoke with MIGHTY GROUND director Delila Vallot about homelessness in Los Angeles and the portrayal of the issue in her film.
We spoke with Andrew Jupin, who is planning a screening of Stop Making Sense at The Jacob Burns Film Center in honor of Jonathan Demme.
We were able to talk with Edda Manriquez, the organizer of the female-empowering Les Femmes Underground International Film Festival.
Franchise filmmaking is, in contrast to what journalists have been saying, far from a destroyer of movies as we know it: here’s why.
Matthew St. Clair discusses the soul of classic science fiction films captured in this years break out hit The Handmaid’s Tale.