Film Reviews
Papillon could have been an inspirational triumph of the human spirit, but instead it ends up as a slog, with little momentum to keep it going.
Kin is a meandering road saga, filled with detours and dull patches and an ending that is both truly bizarre and unintentionally funny.
With its clichéd and unoriginal plot, The Happytime Murders proves the era of puppets for adult entertainment may not be as effective as it once was.
Delivering another fantastic episode, The Venture Bros. has amassed a deep bench of incredible supporting characters that guarantee any scene is gold.
Operation Finale is pensive and provocative, but it also feels a desire to thrill viewers remaining limited by its adherence to the spy genre.
Our latest TIFF review is Les Salopes, a subversive film about a woman’s sexuality that is sure to be compared to the #MeToo movement.
While feeling a bit like a preparatory hour designed to give us a push into the final climax, there’s still some good ol’ terror to be had in the latest Castle Rock episode.
This season of Trial & Error has been a wonderful ride, utilizing its talented cast throughout a season of twists, turns, and laughs.
Here are 10 short films playing at Toronto International Film Festival in 2018 that are worth seeing and/or seeking out.
Odd Brodsky is a new take on the Cinderella story, with fresh faces, unconventional characters of the underdog variety that is full of hope and a wacky sense of wisdom.
Memoir of War is at its best when focusing on the inner life of its protagonist – but even she can’t prevent it from feeling unnecessarily drawn-out.
Minding the Gap is a harrowing portrait of trauma and abuse, and a hypnotic rumination on what it means to film, be filmed, and see yourself in film. And its ending is momentous.
Despite its strong beginning and its tangled plot and hard-to-ignore plot holes, the Norwegian thriller Revenge is an enjoyable film.
Kusama: Infinity is a great introduction to the artist’s life and work, but it will definitely leave you wanting to seek out more information.
Who is America? doesn’t know if it wants to remain apolitical, embarrass right-wing figures, or take down the president – and its lack of focus is its downfall.