Film Reviews
Spidarlings is a love letter to a forgotten era of midnight movies – but in 2018, it feels less revolutionary than in their 70’s heyday.
Vidar the Vampire shows the lack of change within the filmmaking community in regards to the portrayal of women on screen and further proves the necessity of the #MeToo movement.
Aside from an occasional spark from Travolta, Gotti is a wholly derivative affair, and under Connolly’s guiding hand, a crudely executed and completely incoherent one at that.
With more than enough to keep the story moving, Three Identical Strangers is a compelling documentary that keeps the tale moving quickly through twists and turns.
We got a chance to speak to director Finlay Pretsell of cycling documentary Time Trial after it played at Sheffield Doc/Fest.
It’s hard not to think of Jurassic World: Fallen Kingdom as just a rinse-repeat of nearly every other film in this now 25-year-old franchise.
Can we work together to find a solution? It’s a reality that needs further acknowledgement, and It Will Be Chaos does an admirable job of giving us perspective and bare-boned stories of resilience and courage.
With no clever jokes and not enough scares to build any real suspense or fear, The Night of the Virgin falls flat.
During its best moments, Set It Up slaps a goofy smile on your face while delivering simple comedic pleasures and worth the watch for Deutch and Powell alone.
Leave No Trace is Debra Granik’s first fiction feature in eight years, and proves that she is one of the social realist filmmakers most urgently needed in cinema right now.
Musanna Ahmed reviews Too Beautiful: Our Right to Fight and spoke with director Maceo Frost and star Namibia Flores Rodriguez.
Satisfying fans and welcoming new ones, King Cohen has a nice balance making sure the forgotten, outlandish missteps of Larry King are remembered as much time as his mainstream successes.
While fairytale romances feature in tons of Bollywood films, Lust Stories gives insight into the modern Indian woman and the role she plays.
Ali’s Wedding is an unabashed presentation of a Muslim love story that feels both brave and necessary.
Hover is an expertly crafted horror film focusing on a future almost too close to home. Cleopatra Coleman stands out for her remarkable performance and wonderfully crafted and memorable script.