With her delicate approach, inspired Western-influenced imagery, and hard-hitting subversive themes, The Rider is a clear indication of Chloe Zao’s talents as a director.
Sometimes a film’s low budget can get in the way of its narrative, cohesiveness, and overall watchability. However, viewers won’t be disappointed with Counterfeiters and its quality.
Inka Achté’s documentary BOYS WHO LIKE GIRLS chronicles the efforts of an organization in India to educate boys and men on pressing gender-based issues.
It isn’t the glossiest documentary, and there isn’t a significant style or a comfortable flow, but what Evil Genius lacks in pizzazz in makes up for in persistence and unearthing.
Italian-American filmmaker Jonas Carpignano has shown in only his second feature, A Ciambra, to be one of the most empathetic social realist filmmakers working today.
Boys For Sale dives into the world of the urisen (also known as “boys”) that are paid to have sex with other men. Brought in by the allure of a high paying part-time job, urisens have to learn to navigate the industry as they go.
Uniting four legends of the screen for a shot of summer silver screen cinema, Book Club is every bit as formulaic, disposable and harmless as you would expect.