Film Reviews
With Blade Runner 2049 opening in cinemas this Friday, we ruminate on the themes of existentialism the trailer and short film have promised.
Brimstone had potential, but it is bogged down by its length and a desire to show an excessive amount of gratuitous violence against women.
Stephanie Archer discusses three foreign films from this year’s NYFF that examine realities shattered and the consequences that follow.
In Between is a compelling study of Arab women in today’s Tel Aviv that’s delightful and eye-opening in equal measure.
I Was a Dreamer is a mostly successful biographical film about a man seeking redemption, unique for having its lead character play himself.
Literally, Right Before Aaron is a hugely entertaining romantic comedy which doesn’t shy away from the awkward realities of real life.
Abundant Acreage Available is a simple package of meditation about life and death you will be thinking about long after the film has ended.
In his fifth report from Toronto International Film Festival, Tomas Trussow shares his thoughts about Breathe, Darkest Hour, Caniba and more.
Directed by Angelina Jolie, First They Killed My Father is a testament to the craft of film to tell heartbreaking, devastating stories.
Chloe, Ryan and Alistair of Film Inquiry are attending BFI London Film Festival, and share some of their first impressions!
David Fontana discusses four foreign films from this year’s NYFF, ranging from a historical epic to a German take on the American Western.
Beach Rats may have a lot of superficial similarities with Moonlight, but director Eliza Hittman’s film is a triumph in its own right.
Lucky is the unfortunate but beautiful swan song of Stanton, one that truly earns the oft overused phrase, “the performance of a lifetime.”
Steven Soderbergh’s Logan Lucky is one hell of an enjoyable ride that leaves you feeling lucky to have been along
You’ll find it hard to obey the rules of this film’s title when watching, as even the positive elements can’t stop Don’t Sleep being a slog.