Film Reviews
Although visually pleasing, Tulip Fever’s chaotic script never fully commits, and by the end we are wondering what went wrong.
Equal parts funny and realistic, Different Flowers is a wonderful love letter to the Midwest, and the strength of familial love.
By the Time it Gets Dark is a cinematic classic that will beg to be watched, decided and marvelled at, time and time again.
With Blade Runner 2049 opening in cinemas this Friday, we ruminate on the themes of existentialism the trailer and short film have promised.
Brimstone had potential, but it is bogged down by its length and a desire to show an excessive amount of gratuitous violence against women.
Stephanie Archer discusses three foreign films from this year’s NYFF that examine realities shattered and the consequences that follow.
In Between is a compelling study of Arab women in today’s Tel Aviv that’s delightful and eye-opening in equal measure.
I Was a Dreamer is a mostly successful biographical film about a man seeking redemption, unique for having its lead character play himself.
Literally, Right Before Aaron is a hugely entertaining romantic comedy which doesn’t shy away from the awkward realities of real life.
Abundant Acreage Available is a simple package of meditation about life and death you will be thinking about long after the film has ended.
In his fifth report from Toronto International Film Festival, Tomas Trussow shares his thoughts about Breathe, Darkest Hour, Caniba and more.
Directed by Angelina Jolie, First They Killed My Father is a testament to the craft of film to tell heartbreaking, devastating stories.
Chloe, Ryan and Alistair of Film Inquiry are attending BFI London Film Festival, and share some of their first impressions!
David Fontana discusses four foreign films from this year’s NYFF, ranging from a historical epic to a German take on the American Western.
Beach Rats may have a lot of superficial similarities with Moonlight, but director Eliza Hittman’s film is a triumph in its own right.