BAND AID: Zoe Lister-Jones, A Bonafide Sextuple Threat
BAND AID: Zoe Lister-Jones, A Bonafide Sextuple Threat

Band Aid is a fantastic directorial debut- an utterly charming romantic comedy and an irresistible musical rolled into one.

AFTERMATH: A Shallow Dive Into Grief And Guilt
AFTERMATH: A Shallow Dive Into Grief & Guilt

Elliott Lester had juicy, absorbing material to work with. Unfortunately, he turns Aftermath into an underwhelming and empty endeavor.

MAUDIE: A Showcase For The Spectacular Sally Hawkins
MAUDIE: A Showcase For The Spectacular Sally Hawkins

Maudie works due to the central performance by Sally Hawkins, though the troubled relationship portrayed is occasionally too downtrodden.

WAR MACHINE: Uneven, Over The Top War Satire
WAR MACHINE: Uneven, Over The Top War Satire

In part due to overly pushy satirical agenda and an awkward performance from Brad Pitt, War Machine is a failed attempt at a modern war film.

SHIMMER LAKE: A Typical Mystery Made New Through Its Reversal
SHIMMER LAKE: A Typical Mystery Made New Through Its Reversal

Told in reverse order, Shimmer Lake is a fresh take on a murder mystery, and also sports some fine performances from usually comedic actors.

Interview With Matt Schrader On The Making Of SCORE: A FILM MUSIC DOCUMENTARY
SCORE: A FILM MUSIC DOCUMENTARY: An Immersive Glimpse Behind The Curtain

Using archival footage and interviews, Score: A Film Music Documentary is an inspired look at one of the most elusive art forms today.

THE WEDDING INVITATION: Furiously Funny Female Driven Rom-Com
THE WEDDING INVITATION: Furiously Funny Female Driven Rom-Com

Rainy Kerwin’s debut film The Wedding Invitation is a well done romantic comedy with a strong story executed by a strong female cast.

LET ME MAKE YOU A MARTYR: The American South Is Hell On Earth

Though with a fine, understated performance by Marilyn Manson, Let Me Make You a Martyr is too unrelentingly dark and dull to recommend.

LOST IN AMERICA: Optics Of The Low Road
LOST IN AMERICA: Optics Of The Low Road

Albert Brooks’s cult classic Lost in America is not just one of the funniest films of the 1980s, but a subtle examination of perspective, too.

CAMERA OBSCURA: A Snapshot Of War's Lingering Horror
CAMERA OBSCURA: A Snapshot Of War’s Lingering Horror

Camera Obscura is a terrifying glimpse at PTSD, seen through the eyes of a war photographer who comes home and starts to see grisly images.

IT COMES AT NIGHT: An Atmospheric, Disturbing Tale Of Paranoia
IT COMES AT NIGHT: An Atmospheric, Disturbing Tale Of Paranoia

It Comes at Night is a disturbingly effective horror film, delving into themes of paranoia, fear, and distrust in an eerily relevant way.

NIGHT SCHOOL: A Documentary That Succeeds Despite Itself
NIGHT SCHOOL: A Documentary That Succeeds Despite Itself

Andrew Cohn’s documentary Night School tells a largely positive story about American poverty, but depends too much on its captivating subjects.

ON A KNIFE EDGE: An Intimate Insight Into Overwhelming Injustice
ON A KNIFE EDGE: An Intimate Insight Into Overwhelming Injustice

While it doesn’t address the female role, On A Knife Edge is a deep insight into the life of the Native American, that is sure to enlighten.

A HARD DAY'S NIGHT: Beatlemania Perfectly Personified
A HARD DAY’S NIGHT: Beatlemania Perfectly Personified

A Hard Day’s Night not only works as a celebration of The Beatle’s iconic music, but as a satire on the very nature of stardom and celebrity.

EVERYTHING, EVERYTHING: Not Exactly Everything, But Almost
EVERYTHING, EVERYTHING: Not Exactly Everything, But Almost

Everything, Everything follows Maddy, who has spent her entire life confined to her home due to an illness, but falls for the boy next door.