In this version of Marivaux’s play False Confessions there are laughs to be had, but its adaptation to modern day makes it a confusing watch.
Fighting Belle initially seems to have potential as a unique and inspirational revenge story, but it ultimately feels cringeworthy instead.
Happy Hour excels in every way a narrative film can, leaving no stone unturned in its examination of different aspects of social life.
War for the Planet of the Apes is a must-see, visually stunning achievement and a satisfying addition to the series.
Fat Camp may be generic in both story and direction, but it has enough charm and heart to make up for some of its shortcomings.
Transformers: The Last Knight is a surprisingly engaging film for the franchise, bringing the series in an interesting direction storywise.
The Persian Connection is a bold, tense, and thrilling film, even if its thematic reach just exceeds its grasp.
Wish Upon takes a brilliantly fantastical concept and squanders its potential, relying on cliched characters and lifeless jump scares.
Christopher Nolan’s terrific anti-war film divorces itself from any political interpretations to bluntly show the horrors that unfolded at Dunkirk during World War II.
Girls Trip is a gut-bustingly funny gem that is not only good for a girl’s night out, but it has a little something for everyone.
Body and Soul still stands as a marvelous example of the potent capabilities of film noir – that remains untarnished
Though appearing to be another of those aging romantic dramas, The Country Doctor is instead refreshingly heartwarming and impactful.
Something Like Summer is an odd yet mostly satisfying mix of good and bad, with wasted moments but also bright themes that shine through.
The unoriginal, uninspired premise of stoner comedy Ripped is partially saved by the dedication of the two lead actors.
Brigsby Bear isn’t only for the dreamers, it’s for anyone who ever stalled at pursuing a something dear to them for fear of failing.