YELLOW FEVER: Potentially Unique, But Ultimately Familiar
YELLOW FEVER: Potentially Unique, But Ultimately Familiar

Yellow Fever wants to be an important film about Asian identity, however it falters and falls back on tired Hollywood plots and stereotypes.

DENY EVERYTHING: A Somewhat Enjoyable But Flawed Comedy
DENY EVERYTHING: A Somewhat Enjoyable But Flawed Comedy

Other than strong performances, Deny Everything is mostly unsuccessful, due to an uneven story-line, poor camerawork, and jokes that fall flat.

A CURE FOR WELLNESS: Gore Verbinski Doesn't Know The Cure
A CURE FOR WELLNESS: Gore Verbinski Doesn’t Know The Cure

With an interesting premise & gorgeous visuals, A Cure For Wellness sadly gets bogged down by its 130 minute runtime and poor story delivery.

SLACK BAY: Madcap... Or Simply Maddening?
SLACK BAY: Madcap… Or Simply Maddening?

An open mind and a willing heart are needed to appreciate Slack Bay’s zaniness; it’s a lot of fun when the initial peculiarities settle.

THE CIRCLE: More Obtuse Than Well-Rounded
THE CIRCLE: More Obtuse Than Well-Rounded

Though with timely themes and a fine cast/director, The Circle attempts to do too much with its material, instead ending up as lost potential.

SMALL CRIMES: An Uneven Script Dulls This Double-Edged Sword Revenge Yarn
SMALL CRIMES: An Uneven Script Dulls This Double-Edged Sword Revenge Yarn

Small Crimes’s script fails to capture the continuity of Zeltserman’s novel, and Katz doesn’t make the transition any smoother at the helm.

GUARDIANS OF THE GALAXY VOL. 2: James Gunn Does it Again
GUARDIANS OF THE GALAXY VOL. 2: James Gunn Does It Again

Guardians of the Galaxy Vol. 2 pales, in some ways, to its predecessor, yet it has just enough charm and heart to make up for its pitfalls.

SILVER SKIES: A Positive Psychology Film Analysis
SILVER SKIES: A Positive Psychology Film Analysis

Silver Skies shows us how full of love, passion, friendship and fun the lives of the elderly are, and how we can learn from this depiction.

TRACKTOWN: A Race That No-One Wins
TRACKTOWN: A Race That No-One Wins

Tracktown, by Alexi Pappas and Jeremey Teicher, is a cutesy, generic, unfunny indie film, with an array of underdeveloped themes.

A WOMAN'S LIFE: Endlessly, Unremittingly, Relentlessly Bleak
A WOMAN’S LIFE: Endlessly, Unremittingly, Relentlessly Bleak

A Woman’s Life shows the hardships women endure throughout their lives relentlessly and without optimism, and is depressing as a result.

BEFORE I WAKE: An Emotional Disaster
BEFORE I WAKE: An Emotional Disaster

Before I Wake feels like a parody of director Mike Flanagan’s more successful work, prioritising emotional manipulation over story and scares.

SLEIGHT: Strong themes Shine Through Its Frustrating Plot
SLEIGHT: Strong Themes Shine Through Its Frustrating Plot

Sleight offers great commentary about the lack of opportunities for minority communities – yet ironically never lets its hero use his powers.

JEANNE DIELMAN 23, QUAI DU COMMERCE 1080 BRUXELLES: Mystery & Insight In Everyday Work
JEANNE DIELMAN 23, QUAI DU COMMERCE 1080 BRUXELLES: Mystery & Insight In Everyday Work

We take a look at Chantal Akerman’s Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles, which deals with the mundane in a truly unique way.

BERLIN SYNDROME: Whose Side Is It Anyway?

Berlin Syndrome is aligned with many kidnapping narratives, but it suffers from an unfocused approach, but in subject and character focus.

THEIR FINEST: Not Surprising, But Nice Enough
THEIR FINEST: Not Surprising, But Nice Enough

This World War ll film is entertaining, though unfortunately Their Finest doesn’t really impress as it should.