Going in Style from Zach Braff is a forgettable film that stumbles through genres while seemingly wasting its timeless cast.
Gifted is grounded and gritty, on a mission to make you laugh, make you cry, make you root for the good guys while booing for the bad.
Though inspired by the erotic thrillers of the ’90s, Bad Girl ultimately fails to do anything original or exciting with its material.
As one of his final curtain calls, Limelight is a sterling reminder of Charlie Chaplin’s contributions to culture and the art of cinema.
Wilson is as gleefully profane and heart-wrenchingly tragic film, that lives up to its creator’s legacy as a storyteller.
It’s no fun to criticise an aspiring filmmaker’s low budget passion project- but when the result is as misguided as Quarries, it’s necessary.
Aquarius is a powerful character study about a woman fighting back against vulnerabilities, anchored by a fine performance from Sônia Braga.
Gorgeous black and white look aside, Six Rounds proves too underwhelming in the screenplay and character departments to be a true knockout.
Wasted characters, little humor, and lackluster action scenes make CHiPs a rather bland adaptation of the famous TV series.
A true millennial romance, Scott Pilgrim Vs The World is a great action comedy with an insightful look at teen culture.
Ghost in the Shell is full of visual splendor, yet ultimately lacks the originality or prowess of the original Japanese anime film.
High concept on paper, in reality, Mine turns out to be convoluted and utterly confused about the story it is telling, ending up feeling more like a Michael Bay film on a shoestring budget.
Song to Song brings A-game performances and an was aesthetically pleasing look, all that was missing was a strong plot.
Salt and Fire is an alluringly ambiguous environmental thriller by Werner Herzog, featuring purposefully stilted and brilliant performances.
Here Alone is a survival story in a zombie apocalypse, but its story struggles to survive against the great zombie films that precede it.