Film Reviews
There’s usually no shortage of female filmmakers at the Toronto International Film Festival, and with the festival’s 2025 edition, that continues to be true.
While Driver’s Ed and The Ugly are vastly different films, both provide thoughtful social commentary on their respective issues.
Nobuhiro Yamashita’s Linda Linda Linda deconstructs the typical rhythms of the high school band movie
Michael Garcia’s debut feature focuses on the grief of struggling musicians and an A&R rep trying to make a comeback.
For his first report from this year’s TIFF Soham Gadre takes a look at Levers, Copper and Mārama.
Rabbit Trap is a visually satisfying film with a some interesting elements to play with and no propulsion whatsoever.
In Jacque Rabie’s debut feature Orchid, we witness what can happen when that infatuation is taken too far, and when a third person is added to the mix.
One would have to go all the way back to Pain & Gain in 2013 to find a dramatically inclined and nuanced performance from Johnson.
An energized ‘silent’ action film and a quirky narrative about a real life American who hid from authorities inside a local Toys”R”Us.
Criterion’s edition of Shoeshine is a terrific release of a film that has been deserving of a proper restoration.
How far is too far to push your cast and crew to achieve your vision? That’s for Brent to find out in the thriller/horror/pitch-black comedy Et Tu.
The most interesting and important movies in the world today are being made by trans…
Arriving in 4k, there’s never been a better time for Four Nights of a Dreamer to finally take the prominent place it deserves in Bresson’s filmography.
Riefenstahl should be the last word on its subject—not just because it is the definitive one, but also because it is the last one we need.
Despite tackling intriguing and timely concepts, Stranger Eyes ends up being a surprisingly dull watch.