Charlie Day
The most positive praise that can be bestowed on The Super Mario Bros Movie is that it’s not as bad as 1993’s Super Mario Bros.
Newly dumped thirty-somethings Peter and Emma team up to sabotage their exes’ new relationships and win them back for good.
Judging by its comedy, Season 13 is by a significant margin the weakest season of It’s Always Sunny In Philadelphia, however, in it’s politics, it’s more important than it’s ever been.
Failing to bring anything new the second time around, Pacific Rim: Uprising suffers from an identity crisis with little chance to rise up from its cinematic shortfalls to save itself.
Regardless of the context it’s currently being viewed in, Louis C.K’s I Love You, Daddy,…
Not all the jokes in Fist Fight land, but the film still works surprisingly well as a satirical exploration of the American education system.
It seems to happen far too often: A new, original comedy premieres, to mostly good reviews, and so the studio decides to seize on the original’s success and create a sequel. And the sequel is not nearly as good as the first.
