drama
Capernaum fuses documentary elements with a fictional narrative to tell one of the most emotionally impactful stories of the year.
The most surprising thing about High Flying Bird is how it takes a niche and seemingly uninteresting topic and finds a message of social importance within.
With an emotionally moving story and flawless execution in every element, Lost & Found is a sight to behold.
Coupled with a brilliant script and outstanding performances by its two leaders, To Dust has already become a standout early on in 2019.
Inthis report from Sundance Film Festival 2019, we cover The Sunlit Night,Extremely Wicked, Shockingly Evil And Vile and Vile.
We were able to speak with Laure de Clermont-Tonnerre, co-writer and director of the upcoming drama The Mustang, starring Matthias Schoenaerts.
Zelos is definitely not your typical romantic comedy and it’s an extremely complicated film, full of obstacles that a majority of people can relate to.
The Man Who Killed Hitler and Then the Bigfoot is not the B-movie you’d expect, but it is an emotionally engaging and gripping film nonetheless.
In our seventh report from Sundance Film Festival 2019, we cover Hail Satan?, Luce, Adam, Sweetheart and Corporate Animals.
In our sixth report from the 2019 Sundance Film Festival, we cover Clemency, The Souvenir and Light From Light.
A haphazard concoction of cliches with a sugary sweet coating, Berlin, I Love You lacks any of the qualities that make the titular city so special.
Soni, as a gritty realist portrait, feels fresh and unique – both in it’s portrayal of Kalpana and Soni and its technical achievements.
Dynamic turns from its two stars and an intriguing relationship at its core makes Nina watchable, if occasionaly frustrating elsewhere.
In our fifth report from the 2019 Sundance Film Festival, we cover Apollo 11, Ms. Purple, Always in Season and The Disappearance of My Mother.
My next report from Sundance 2019 finds the festival really hitting its stride. An artsy…