Liz and the Blue Bird is an indepth and stylistic chracter study that explores the details and hidden emotional gravity of seemingly unremarkable situations.
For sheer distinctiveness of vision, and for the visceral portrayal of how it feels to be bullied, director Deborah Haywood deserves plaudits for Pin Cushion.
The Legacy of a Whitetail Deer Hunter is undeniably a missed opportunity, a film that nails a certain tone and feel without putting all the pieces together.
With an engaging but slightly sluggish story, fine acting, and a committed crew, The Catcher Was a Spy mostly succeeds as both a tense espionage film and a biopic.
We were able to talk with Milda Baginskaite and Martha Binns, director and star respectively, of the short sci-fi drama 7 Planets, about the creative decisions for this film, and the experience of making it.
Despite its empowering story, and fine performances by Michael Greyeyes and Jessica Chastain, Woman Walks Ahead is an unfortunately forgettable endeavor.
The first hour of Sharp Objects thrillingly lays the foundations for a series already digging its claws into anything that moves, in one of the strongest season premieres of the television year to date.