drama
As much as Ulysses & Mona can be a pleasant watch, and as much as Issa and Cantona gel with each other, it lacks a solid foundation.
The Children Act is a stirring, well-intentioned piece of classy British cinema that will satisfy but ultimately sadden its intended audience.
Papillon could have been an inspirational triumph of the human spirit, but instead it ends up as a slog, with little momentum to keep it going.
Operation Finale is pensive and provocative, but it also feels a desire to thrill viewers remaining limited by its adherence to the spy genre.
Our latest TIFF review is Les Salopes, a subversive film about a woman’s sexuality that is sure to be compared to the #MeToo movement.
Memoir of War is at its best when focusing on the inner life of its protagonist – but even she can’t prevent it from feeling unnecessarily drawn-out.
Despite its strong beginning and its tangled plot and hard-to-ignore plot holes, the Norwegian thriller Revenge is an enjoyable film.
A striking cautionary tale with authentic performances, Searching is a small thriller whose computer-screen gimmick actually elevates its subject matter.
We break down the career of Winona Ryder, showcasing her talent for the horror genre and more over her 30+ years in front of the camera.
Sharp Objects’ powerful series finale is a masterful instance of persistent hard work and a careful attention to detail paying off.
The Little Stranger is a demanding but absorbing thriller – it will not spoon feed you scares, and it’s all the better for it.
Bonding creates thoughtful and memorable characters and showcases their work in a positive light leading towards self-discovery and the building of relationships, both romantic and platonic.
Five Fingers for Marseilles is sporadically entertaining while watching, but devoid of the food for thought a film with this subject matter urgently needs.
We spoke with Sir Ben Kingsley about his latest film Operation Finale, taking on the portrayal of a Nazi official and his continued work to keep the memory of the Holocaust alive.
Don Hertzfeldt’s 2012 animation is an authentic depiction of depression, mental illness and mankind’s relationship with the universe.