drama
It’s uncommon for a film to have scenes of vulgar comedy and yet be heart-wrenchingly emotional – but All About Nina is bold, and deserves your attention.
Though Nappily Ever After begins as encouragement that Black women embrace their natural beauty, it soon feels like a judgment of women who put effort into their appearance.
With an interesting premise not given the correct treatment, The Escort stands as a cinematic experiment that didn’t quite work out.
The English language debut of iconic French director Claire Denis is thematically dense and transgressive, designed to provoke intense debate.
Disappointingly, Peppermint is a film that feels thrown together, poorly edited and overly clichéd, with a failed take on the female vigilante.
We spoke with director Ramaa Mosley about her new film Lost Child, and about just going out there and making the movie you want.
Though Carmine Cangialosi’s American Dresser has endearing moments, both Berenger and David have been on adventures far more befitting the ‘ride of a lifetime’.
The saying goes that the story writes itself, but White Boy Rick shows that even the best tales can be crafted into a boring, listless film.
With some of his most impressively staged set pieces to date, Hold the Dark proves that Jeremy Saulnier is one of the most assured genre filmmakers working today.
It’s easy to call this season “more of the same”, but for a show as good as BoJack Horseman, that’s a compliment.
With two likable stars playing unlikable characters, some witty repartee that borders on being too wordy, and an overuse of its finer points, Destination Wedding ends up getting lost in execution.
Due to some finer details, The Land of Steady Habits is not unsatisfying per se, but it also has no staying power.
Wash Westmoreland speaks about his upcoming film Colette, its journey from script to screen, the casting process, and much more!
We spoke with Denise Gough, who stars opposite Keira Knightley in Colette, about her gender defying character, and how she hopes it begins some positive change.
Australian writer-director Kosta Nikas’ Sacred Heart is a mature, thoughtful, and dramatic piece of filmmaking for a first-time feature director.