drama
Bleeding Steel is a chaotic and extravagant attempt to imitate the futuristic settings of other box office fare of its time, which only highlighted the throwback quality of the central character.
To watch Chappaquiddick and then ponder the life of Ted Kennedy in such a manner undoubtedly must lead to introspection.
While Snapshots is far from a perfect film, it made with such an admirable degree of earnestness, with so much feeling, that it is easy to overlook the flaws.
While there remain more noticeable cracks in the latest two Sharp Objects episodes than the earlier days of the miniseries, it endures well into the sixth hour as an unparalleled and enthralling television experience.
We the Animals is an undeniably moving film, but one whose emotional power is curbed by its similarity to other notable US indies of recent years, failing to rise out of the shadows.
In our first Melbourne International Film Festival report, we cover a collection of films, including Columbian crime dramas, a time-bending German war film, and an experimental exercise in young adult race relations.
We were able to talk with Jessica Barth, star of the horror Along Came the Devil, about her awesome stunt work on Deadly Lessons and her great working relationship with Seth MacFarlane.
A ghost of the film it tries to summon, The Secret of Marrowbone is unable to pull everything together and its disparate elements fail to coalesce into anything approaching satisfying.
With Laura Gets A Cat, Michael Ferrell continues his knowing efforts within the romantic comedy genre.
Unfortunately, the Billionaire Boys Club takes a common Hollywood film concept and fails to deliver anything more original than its predecessors.
Some reviewers have called Blindspotting a buddy comedy, but that couldn’t be farther from the truth – this is a film designed to make you uncomfortable.
Zoe’s detriment is not necessarily any of its individual parts – it’s that they don’t quite add up to anything more impactful or memorable.
Hot Summer Nights’ story is not adequately interesting to justify the legendary tone, and it winds up feeling anodyne when it should feel explosive.
The Americans is a show that asks you to examine what exactly it is about capitalism that you like, the effect those aspects of it have on other people, and whether your lifestyle is ethical.
Summer of 84 strives in its scenes of tension and horror, but fails in its moments of childhood nostalgia and friendship.