drama
Like Me is a visual spectacle that delves into the dark underbelly of social media, showing the lengths that people will go to in order to feel accepted on the internet.
Padmaavat is a misguided attempt by director Sanjay Leela Bhansali proving that you can get struck by lightning if you try to capture it in a bottle twice.
With its sheer amount of ‘Straight to DVD’ film sensibilities, Den of Thieves is as generic as bank heist thrillers come, and at a bloated 2 and a half hour run-time as well.
Double Lover is a loving and surprisingly artful homage to the genre’s masters, equal parts a silly and stylish trashy erotic thriller with enough twists and turns to delight any mainstream audiences.
Pleasantville is still relevant 20 years later: In a time where the American Dream is being redefined, Pleasantville tries to tell us that among the chaos and imperfection of this world, you can still find happiness.
A frenetic, fantastical but frustrating piece of work, Jupiter’s Moon will be remembered not for its rather woolly handling of serious subject matter, but for a couple of excellent performances, and the stunning images and sequences.
Like the old maxim about waiting all day for a bus only for two to…
Saturday Church is a story of hope and redemption and yet another “need to see” tale, of a group of people deemed “different” by society, that ends up proving how alike we all actually are.
Abe & Phil’s Last Poker Game boasts a trio of fantastic performances, particularly from Landau in one of his finest turns in his final film, and contains just enough laughs and dramatic themes to overcome Weiner’s rookie missteps.
If you enjoy French cinema, Lover For a Day won’t disappoint you: with its black and white picture, the dramatic, intricate, sensual love story, and its earnest dialogue that comes across even sweeter to English speakers, this movie is a must-see.
From the riotous to the poignant, Sally Potter’s The Party taps into the state-of-the-nation with a smart, sharp comedy populated with hilarious characters and brought to life by a truly fantastic cast.
Director Rebekah Fortune’s Just Charlie is an empathetic transgender coming out tale that slowly becomes a moving story of self-acceptance.
Amid the rubble that is The Commuter, there is an entertaining enough film to provide respite during the Winter blues, just don’t expect too much.
Marisa Tomei is an actress with many memorable roles through the years; here is a rundown of some of her very best.
FREAK SHOW: Alex Lawther Dazzles In A Transformative, Career-Making Performance