drama
Feeling both vitally important and imminently personal, The Light of the Moon is as remarkable as its title is poetic – and twice as powerful.
It may take certain liberties with the truth, but Professor Marston and the Wonder Women is still an enjoyable, inspirational biopic.
Loving Vincent is a stunning work of art, with every frame a Van Gogh-style painting, and it’s intriguing on a narrative level as well.
Suck It Up admirably attempts to tell a story with flawed women at its centre, yet sadly falls back on clichés and stereotypes at every turn.
Only the Brave is more concerned with its traditional gender politics than making any grander statement on man’s relationship with nature.
Whilst it has many problems, Maya Dardel is a prickly, contentious and fascinating film that knows with absolute certainty what it is.
Expertly performed by the dynamic duo of Rooney Mara and Ben Mendelsohn, Una proves to be a searing – though discomfiting – watch.
Tom of Finland feels like two disparate films brought together, and only Pekka Strang’s strong performance saves it from being a total wash.
The Chilean drama A Fantastic Woman beautifully captures the story of a transgender woman, who is brought to exquisite life by Daniela Vega.
The Meyerowitz Stories may be a typical satire for Noah Baumbach, but the character of Danny, warmly played by Adam Sandler, helps to raise it.
Alice Trueman’s Egg is a beautifully shot and scored comedy, mixing both the relatable and the absurd in a uniquely engaging way.
The Bachelors is a scarcity of a film, one that transcends several genres to create an affecting orotundity through its singular voice.
Goodbye Christopher Robin has some redeeming value to it, but it is ultimately too painful for people who love Winnie the Pooh.
Our Souls at Night an important reminder that there are still plenty of stories worth telling in the twilight years of one’s life.
Rebel in the Rye is interesting when looked at from a writer’s perspective, but unfortunately doesn’t work as a cohesive biopic.